Wilder Willi

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Wilder Willi

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Add it to your IMDbPage. How Much Have You Seen? How much of Billy Wilder's work have you seen? Won 6 Oscars. Known For.

The Apartment Writer. Some Like It Hot Writer. Sabrina Writer. Sunset Blvd. Sunset Boulevard based on the film by pre-production. Louis screen play by.

Louis directed by. Cameo Appearance. Dutta we thank. Self - Director. TV Series Self. Thalberg Memorial Award Recipient.

TV Movie documentary Self. He shared this gift most recently with his mother, having returned to Birmingham to care for her in her final days.

He is survived by his loving wife Adrienne, sons Bijan Wilder and Eric Hines; aunts, uncles, cousins and a host of other family and friends.

Graveside services will be held at Elmwood Cemetery on August 4, at am with Bushelon presiding. For Customer Service please call: Back to Obituaries Close Window.

Willi Wilder Jr. Share a memory. Send Flowers. Obituary for Willi Wilder Jr. Graveside services will be held at Elmwood Cemetery on August 4, at am with Bushelon presiding Send flowers to the service of Willi Wilder Jr.

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Developing an interest in film, he began working as a screenwriter. He collaborated with several other novices with Fred Zinnemann and Robert Siodmak on the feature People on Sunday.

He wrote the screenplay for the film adaptation of a novel by Erich Kästner , Emil and the Detectives. After the rise of Adolf Hitler , Wilder, Jewish, left for Paris, where he made his directorial debut with the film Mauvaise Graine.

He relocated to Hollywood prior to its release. Wilder's mother, grandmother, and stepfather all died in the Holocaust. For decades it was assumed that it happened at Auschwitz, but while researching Polish and Israeli archives, his Austrian biographer Andreas Hutter discovered in that they were murdered in different locations: his mother, Eugenia "Gitla" Siedlisker, in at Plaszow ; his stepfather, Bernard "Berl" Siedlisker, in at Belzec ; and his grandmother, Balbina Baldinger, died in in the ghetto in Nowy Targ.

After arriving in Hollywood in , Wilder continued his career as a screenwriter. He became a naturalized citizen of the United States in , having spent time in Mexico waiting for the US government after his six-month visa had expired in , an episode reflected in his Hold Back the Dawn.

This romantic comedy starred Greta Garbo generally known as a tragic heroine in film melodramas , and was popularly and critically acclaimed.

With the byline, "Garbo Laughs! The film also marked Wilder's first Academy Award nomination, which he shared with co-writer Charles Brackett although their collaboration on Bluebeard's Eighth Wife and Midnight had been well received.

For twelve years Wilder co-wrote many of his films with Brackett, from through He followed Ninotchka with a series of box office hits in , including his Hold Back the Dawn and Ball of Fire , as well as his directorial feature debut, The Major and the Minor.

His third film as director, Double Indemnity was a major hit. A film noir , nominated for Best Director and Screenplay, it was co-written with mystery novelist Raymond Chandler , although the two men did not get along.

Double Indemnity not only set conventions for the noir genre such as "venetian blind" lighting and voice-over narration , but was also a landmark in the battle against Hollywood censorship.

The original James M. Cain novel Double Indemnity featured two love triangles and a murder plotted for insurance money. While the book was highly popular with the reading public, it had been considered unfilmable under the Hays Code , because adultery was central to its plot.

Double Indemnity is credited by some as the first true film noir, combining the stylistic elements of Citizen Kane with the narrative elements of The Maltese Falcon The film known as Death Mills , or Die Todesmühlen , was intended for German audiences to educate them about the atrocities committed by the Nazi regime.

Wilder is credited with the English-language version. Jackson story, The Lost Weekend , the first major American film to make a serious examination of alcoholism, another difficult theme under the Production Code.

In , Wilder co-wrote and directed the dark and cynical Sunset Boulevard , which paired rising star William Holden with Gloria Swanson.

Swanson played Norma Desmond, a reclusive silent film star who, with delusions of her greatness from a bygone era, dreams of a comeback.

Holden portrays an aspiring screenwriter who can't make ends meet and becomes a kept man to her. It was critically acclaimed and marked the end of Wilder's long writing partnership with Charles Brackett.

The Big Carnival , a tale of media exploitation of a caving accident. The idea for the film had been pitched over the phone to Wilder's secretary by Victor Desny.

In the s, Wilder also directed two adaptations of Broadway plays, the prisoner of war drama Stalag 17 , which resulted in a Best Actor Oscar for William Holden , and the Agatha Christie mystery Witness for the Prosecution In the mids, Wilder became interested in doing a film with one of the classic slapstick comedy acts of the Hollywood Golden Age.

He first considered, and rejected, a project to star Laurel and Hardy. From the mids onwards, Wilder made mostly comedies. Wilder's humor is sometimes sardonic.

In Love in the Afternoon , a young and innocent Audrey Hepburn does not wish to be young or innocent with playboy Gary Cooper , and pretends to be a married woman in search of extramarital amusement.

The film was Wilder's first collaboration with writer-producer I. Diamond , an association that continued until the end of both men's careers.

In , United Artists released Wilder's Prohibition-era farce Some Like It Hot without a Production Code seal of approval, withheld due to the film's unabashed sexual comedy, including a central cross-dressing theme.

Jack Lemmon and Tony Curtis play musicians who disguise themselves as women to escape pursuit by a Chicago gang.

Brown —setting up the film's final joke in which Lemmon reveals that his character is a man and Brown blandly replies "Well, nobody's perfect". A box office success, the film was lightly regarded during its original release.

But its critical reputation grew prodigiously; in , the American Film Institute selected it as the best American comedy ever made. His film The Private Life of Sherlock Holmes was intended as a major roadshow release , but was heavily cut by the studio and has never been fully restored.

Wilder had hoped to make Schindler's List as his final film, saying "I wanted to do it as a kind of memorial to my mother and my grandmother and my stepfather," who had all died in the Holocaust.

Wilder's directorial choices reflected his belief in the primacy of writing. He avoided, especially in the second half of his career, the exuberant cinematography of Alfred Hitchcock and Orson Welles because, in Wilder's opinion, shots that called attention to themselves would distract the audience from the story.

Wilder's pictures have tight plotting and memorable dialogue. Despite his conservative directorial style, his subject matter often pushed the boundaries of mainstream entertainment.

Once a subject was chosen, he would begin to visualize in terms of specific artists. His belief was that no matter how talented the actor, none were without limitations and the end result would be better if you bent the script to their personality rather than force a performance beyond their limitations.

For Stalag 17 , Wilder squeezed an Oscar-winning performance out of a reluctant William Holden Holden had wanted to make his character more likable; Wilder refused.

MacMurray had become Hollywood's highest-paid actor portraying a decent, thoughtful character in light comedies, melodramas, and musicals; Wilder cast him as a womanizing schemer.

Humphrey Bogart shed his tough-guy image to give one of his warmest performances in Sabrina. James Cagney , not usually known for comedy, was memorable in a high-octane comic role for Wilder's One, Two, Three.

Milland, Holden and Matthau won Oscars for their performances in Wilder films. Wilder had great respect for Lemmon, calling him the hardest working actor he had ever met.

Lemmon starred in seven of Wilder's films. Some [ citation needed ] say that Wilder's films often lacked any discernible political tone or sympathies, which was not unintentional.

He was less interested in current political fashions than in human nature and the issues that confronted ordinary people. He was not affected by the Hollywood blacklist, and had little sympathy for those who were.

Some anti-Communists wanted those in the cinema industry to take oaths of allegiance. The Screen Directors Guild had a vote by show of hands.

Only John Huston and Wilder opposed. Huston said, "I am sure it was one of the bravest things that Billy, as a naturalized German, had ever done.

There were to directors at this meeting, and here Billy and I sat alone with our hands raised in protest against the loyalty oath.

Wilder reveled in poking fun at those who took politics too seriously. In Ball of Fire , his burlesque queen 'Sugarpuss' points at her sore throat and complains "Pink?

It's as red as the Daily Worker and twice as sore. Wilder is sometimes confused with director William Wyler. Both were German-speaking Jews with similar backgrounds and names.

However, their output as directors was quite different: Wyler preferred to direct epics and heavy dramas, while Wilder was noted for his comedies and film noir type dramas.

He has a star on the Hollywood Walk of Fame. Wilder became well known for owning one of the finest and most extensive art collections in Hollywood, mainly collecting modern art.

As he described it in the mids, "It's a sickness. I don't know how to stop myself. Call it bulimia if you want — or curiosity or passion. I have some Impressionists, some Picassos from every period, some mobiles by Calder.

Known For. The Apartment Writer. Some Like It Hot Writer. Sabrina Writer. Sunset Blvd. Sunset Boulevard based on the film by pre-production.

Louis screen play by. Louis directed by. Cameo Appearance. Dutta we thank. Self - Director. TV Series Self.

Thalberg Memorial Award Recipient. TV Movie documentary Self. Self uncredited. He shared this gift most recently with his mother, having returned to Birmingham to care for her in her final days.

He is survived by his loving wife Adrienne, sons Bijan Wilder and Eric Hines; aunts, uncles, cousins and a host of other family and friends. Graveside services will be held at Elmwood Cemetery on August 4, at am with Bushelon presiding.

For Customer Service please call: Back to Obituaries Close Window. Willi Wilder Jr. Share a memory.

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Wilder Willi

Wilder Willi Video

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